NEW YORK — Standing at the newly constructed intersection of Tillary and Adams streets, near the exit from the Brooklyn Bridge, is a new, 22-foot bronze arm with the index finger pointing skyward. Commissioned by New York City’s Percent for Art program, the permanent sculpture was created by Hank Willis Thomas and is titled “Unity” (2019). Is this outstretched arm a new greeting at the threshold of Brooklyn, like the Statue of Liberty in New York Harbor?
NEW YORK — Standing at the newly constructed intersection of Tillary and Adams streets, near the exit from the Brooklyn Bridge, is a new, 22-foot bronze arm with the index finger pointing skyward. Commissioned by New York City’s Percent for Art program, the permanent sculpture was created by Hank Willis Thomas and is titled “Unity” (2019). Is this outstretched arm a new greeting at the threshold of Brooklyn, like the Statue of Liberty in New York Harbor?
NEW YORK — When The European Fine Art Fair arrived in New York and set up in Park Avenue Armory four years ago, it was enough to be exactly what it was: a fair that boasted European old master paintings and antiquities, and catered to museum curators and high-end connoisseurs.
NEW YORK — The persistent and liberating message in Nari Ward’s sculpture and room-size installations is that art can be made from virtually anything. In his midcareer retrospective at the New Museum, “We the People,” this means old carpets, plastic bags, bottles, zippers, bed springs, keys and furniture. Hundreds of fold-up baby strollers take up a gallery in “Amazing Grace” (1993), while a canopy of yarn, rope and other found materials are used to create “Hunger Cradle” (1996). “We the Peop...Entertainment6 Mar 2019
However, the opening of the Brant Foundation Art Study Center in the East Village, with an exhibition of nearly 70 works by Basquiat created from 1980 to 1987, serves as a fitting temporary shrine.
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