Itâs rare for a movie to announce so bluntly and accurately what itâs about and why it exists, but the numbskull Bollywood caper âTotal Dhamaalâ wastes no time: âItâs all about the money.â These are the first words you hear, sung in English, in an opening musical number so shimmeringly gaudy it would make Las Vegas blush.
So, yes, the plot involves suitcases full of rupees, coveted and chased by the usual assortment of bumblers, gangsters and civilians. But also, the makers of âTotal Dhamaalâ needlessly remind us, the movie exists to celebrate and, of course, to make money.
The making part is probably a given. âTotal Dhamaalâ (âTotal Funâ) is the third installment of a popular series, all directed by Indra Kumar, with a simple comic philosophy: No physical gag is too silly or too juvenile; and, repetition can only up the ante.
This time around the guest stars include Madhuri Dixit, one of Hindi cinemaâs biggest stars (and best dancers) of the late 1980s and â90s, and Anil Kapoor. For long stretches, Dixit is the sole female in âTotal Dhamaalâ (âBro,â uttered again and again in English, feels like a verbal tell), and sheâs a welcome presence even if the movie drags her down more than she lifts it up.
The shaggy story, a sort of poor cousin to âItâs a Mad Mad Mad Mad World,â has its big climax in a zoo, where our hapless heroes wind up in their race to grab the cash. They pause to save the animals â a villain ex machina has poisoned their food â and, surprise, a lesson is learned: Kindness trumps greed.
The moral seems as tacked on as the villain. But itâs a sweet thought and not entirely out of keeping with a movie that for all its crassness, comic and commercial, is basically good-spirited.
And practical. One gag, in good Indian metaphysical tradition, has a man drowning in quicksand call for a rope; heâs handed a snake. Thereâs no perceptual error here, just this thought: Sometimes a snake is just a snake, but itâs not accidental that it can be used to pull a man from danger.
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âTotal Dhamaalâ
Not rated. In Hindi, with English subtitles. Running time: 2 hours, 8 minutes.
This article originally appeared in The New York Times.